But this is still Breillat. The genre is a Trojan horse. Inside is her trademark philosophical excavation of desire, power, and the lies we tell ourselves about love.
: Reviewer Budd Wilkins provides a thorough analysis of how the film "straddles the line" between slice-of-life police drama and the sexual power struggles that define Breillat’s later work. Dirty Like an Angel -Catherine Breillat- 1991-