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Commodification of Identity

Shows like Squid Game (South Korea) or Money Heist (Spain) have proven that language is no longer a barrier to becoming a global phenomenon. Entertainment content is increasingly reflecting a multi-faceted world, allowing audiences to see themselves represented in stories that were previously gatekept by traditional studios. Transmedia Storytelling: Worlds Beyond the Screen InTheCrack.E1921.Rachel.Rivers.St.Martin.XXX.10...

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This algorithm-driven environment has birthed a new genre of popular media: . We no longer just watch reality TV; we watch podcasts about reality TV. We don't just see a movie; we watch 30-minute video essays dissecting why the movie failed. The line between the primary text and the secondary commentary has blurred into invisibility. Increased inclusion of previously marginalized groups (e