Mahler Symphony No 4 Synfrancisco Symphony Michael Tilson Thomas 2003 Lossless New
The 2003 recording of Mahler: Symphony No. 4 Michael Tilson Thomas (MTT) San Francisco Symphony (SFS)
Compared to other famous recordings:
Where to Find the "Lossless New" Version
- The Opening Movement: The symphony begins with a flute theme accompanied by sleigh bells. In a compressed MP3, those sleigh bells sound like a dull rattle. In lossless (FLAC, WAV, or ALAC), every harmonic overtone of the bells rings with shimmering decay. You can hear the specific wooden clack of the mallets.
- The Scherzo: Barantschik’s solo violin is tuned a whole step higher to sound like a folk fiddler or "Death." In lossless, the rasp and grit of the strings are visceral. The San Francisco brass—particularly the horns—play off-stage echoes. In a compressed format, the spatial imaging collapses. In lossless, the hall’s acoustic depth is holographic.
- The Third Movement (Ruhevoll): This is the emotional core. MTT takes a remarkably broad tempo, allowing cellos and harp to sing without vibrato. The lossless new digital transfers reveal the bow hair on the basses, the breath intake of the woodwinds before a phrase. It is an intimate, almost voyeuristic listen.