: Alongside his cousin Gonzalo, he transitions from petty theft to working as a bodyguard for a known smuggler, eventually becoming a partner.
Cinematography is rarely discussed in telenovelas , but Capitulo 1 deserves praise. The episode uses a sickly yellow filter to represent Medellín of the 1970s. It looks hot, sweaty, and filthy. Poverty is not aestheticized; it is claustrophobic. pablo escobar el patron del mal capitulo 1 top