"Queen - We Are The Champions -Multitrack-" provides a rare, clinical look into the architecture of one of rock’s most recognizable anthems. Often found as a set of 9 isolated files (stems), this multitrack reveals the intricate layering that contributes to the song's "stadium" sound.
: John Deacon’s Fender Precision Bass was recorded via direct injection (D.I.) with no external effects. Roger Taylor’s drum tracks are panned, with toms and crashes slightly left or right, and the ride and hi-hat positioned to the right. The "Raw Sessions" Revelations Queen - We Are The Champions -Multitrack-