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Critics have long debated the theological orthodoxy of Donne’s imagery. Some read the poem as an expression of Calvinist helplessness: the will is so bound by sin that only irresistible grace (the “rape” of the soul) can save. Others see an echo of Augustine’s Confessions , where the soul prays, “Give what You command, and command what You will.” The poem also resonates with the tradition of mystical marriage in St. John of the Cross and St. Teresa of Ávila, where divine union is described in ecstatic, often violent, physical terms. Donne, a former Catholic who became an Anglican priest, walks a fine line between blasphemy and devotion. To call God a “ravisher” risks anthropomorphic excess, yet the speaker’s desperation is so profound that only such extremity can convey the depth of his bondage. sone166 better