Tarzan 1966 Internet Archive · Safe
Ron Ely
The 1966 Tarzan television series, starring , represents a pivotal shift in the character's cinematic history, moving away from the "monosyllabic" portrayal popularized by Johnny Weissmuller toward the sophisticated, educated figure originally written by Edgar Rice Burroughs.
Navigating the Archive requires a bit of precision. Simply typing "Tarzan" will return 10,000 results, ranging from 1930s serials to 1990s cartoons. Here is your step-by-step guide to finding the Ron Ely episodes. tarzan 1966 internet archive
Most episodes of the 1966 series are housed under user uploads in the "Community Video" collection. These are not official scans, but rather digitizations of old broadcast tapes, foreign DVD releases, or recorded syndicated reruns. Ron Ely The 1966 Tarzan television series, starring
For those who don’t know, Mike Henry was a former football player (Pittsburgh Steelers) turned actor. He wasn’t a gymnast like Weissmuller or a poet like Lex Barker. Henry was a bruiser . His Tarzan is less “lord of the jungle” and more “linebacker in a loincloth.” He only played the role three times, but his first outing in 1966 is a raw, sweaty, time-capsule gem. Here is your step-by-step guide to finding the
Technical Details
The story, titled Tarzan and the Electric Leopard , opens not in the jungle but in a crumbling modernist library in 1966 London. An archivist (played with weary resolve by Diana Rigg) is decoding a series of radio signals that seem to pulse with animal rhythm. The signals lead her to the Congo, where she finds Tarzan—no longer the clean-shaven lord of the movies, but a weathered, silent figure played by a then-unknown actor whose name was erased from the tape’s header. He moves like a thought: half shadow, half muscle. He doesn’t speak English, only the dialects of great apes and the creak of trees.
The 1966 Tarzan series is more than just a old TV show. It is a time capsule of 1960s action-adventure, a monument to stuntwork before safety regulations, and the definitive bridge between the cinematic Tarzan and the modern superhero.
Lalo Schifrin
The film follows Tarzan as he leaves his jungle home to rescue a kidnapped boy from a maniacal would-be conqueror in the legendary (and aptly named) “Valley of Gold.” While the plot is classic B-movie pulp, the film is notable for its location shooting in Mexico (giving it a sun-scorched, rugged look) and its catchy, big-band jazz score by , who would later become famous for the Mission: Impossible theme.