The passage exemplifies Watson’s strategy of using the horse’s sensory world to critique the artificiality of the geopolitical boundary.
Galeano contends that collective memory resists erasure through narrative. Watson’s interweaving of oral testimonies from elders in El Paso and archival newspaper clippings about the “Wall of 1994” creates a polyphonic archive that resists the homogenising force of state‑produced histories. tiffany watson- juan el caballo loco
Tiffany’s pen flew across the page.